From the beginning to ‘The End’ (working title)


This is the first true post as I begin to write this non-fiction book relating the creation of a novel. Every non-fiction book I have read from historical biographies to Butcher’s Copy-Editing has an introduction. It gives the author their first chance to say hello and to give a flavour of what their book will be about, what it will cover and how they plan to go about it.

I wanted to give my prospective readers a chance to get an idea of what they could expect and to learn a little about the bloke who thought he had something to offer.

If anyone has any ideas on what else they think should be covered in the Introduction please leave me a comment and if I like it, I will include it and give you credit in the acknowledgements. Thank you.

Introduction and Biography

What prompted you to buy this book? What do you want to get out of it? Do you think it will help? It will. Help that is.

This book isn’t about the formula of writing a novel and the mistakes that you will make if you don’t follow a prescribed method. There are a thousand books available covering that approach; some free, others reasonably priced and many ridiculously expensive. There also some excellent books that adopt different approaches; whether it is free form writing where a looser ‘empty your soul on to the page’ approach or instructions on how to write and research non-fiction. If that is what you are looking for then scan your local bookshop or the Amazon website and convert your cash into advice.

This book is about a journey taken by a writer describing how he creates a work of fiction from an initial idea through to publication. I am the writer and I wanted to describe the process that I am going  through when I write my novel. For me this is a very personal approach as it lays open my own ideas and philosophies on writing and creating fiction. I want this book to be read as a way to write a novel, not as the only way to write a novel, it’s a way that works for me and I hope that my approach helps by giving you a blueprint to write the story inside you as well as offering ideas and practical advice.

When I write I need the comfort of structure and planning to ensure that I am not faced by a blank page with no idea what to put on it. The plan changes, they always do, but those changes will add depth and texture to the story and improve the finished novel. By having a plan, a detailed plan, I know the direction in which the story is heading, what will happen at a given point and how each scene will affect the story as a whole.  My plan is only the initial view of how I expect the story to progress, the changes are what will allow the story to develop within the original framework.

This very structured approach to writing I know won’t suit everyone. Stephen King believes that plot is best forgotten but situation is important. He also says, ’I distrust plot for two reasons: first, because our lives are largely plotless, even when you add in all of our reasonable precautions and careful planning; and second, because I believe plotting and the spontaneity of real creation aren’t compatible.’  Conversely John Irving says, ‘know the story—as much of the story as you can possibly know, if not the whole story—before you commit yourself to the first paragraph….If you don’t know the story before you begin the story, what kind of a storyteller are you?’

This book will lead you from your initial first glimmer of an idea, testing the idea, planning in detail, first draft, rewriting and more rewriting, from there to editing, cover design and on to publication, both traditional and indie. It is a blueprint that you can use time and time again. Using it as a guide when writing your early works to a reference as your experience grows.

I hope you enjoy the journey.

Biography

Simon is a novelist, proofreader, copy-editor and blogger. This will be his first non-fiction work which he is writing alongside his second novel: The Impact of History. His first novel is available through Amazon as an ebook, Bacchus and Sanderson (Deceased). Click here, to buy it.

The cost of not using a copy editor and proofreader


All writers need to read this. Writing great material isn’t enough, it has to be superb. Invest in a professional

Fiction Editing for Independent authors

"Typewriters". Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Typewriters.jpg#/media/File:Typewriters.jpg “Typewriters”. Licensed under CC BY-SA 3.0 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Typewriters.jpg#/media/File:Typewriters.jpg

If I haven’t mentioned it before, I am a novelist. I write obsessively with a view to achieving a publishing contract,  six figure advance and lots of international travel. Who doesn’t? I am also a realist. I consider myself to be a competent writer with good ideas and an ability to put them on to the page in something resembling the correct order. My grammar is good and my spelling is excellent, why would I possibly need a proofreader or copy-editor? The good ones cost a fortune, money spent before you have a penny back from sales of your book. And that’s assuming you sell any.

This was my view, until I realised that unless I wanted to starve while my book found a publisher, I was going to need a second income. Then I began training as a…

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